According to TMZ.com, Slash and his reported new girlfriend Meegan Hodges just moved into a new house in the San Fernando area in Los Angeles. The luxurious home, which the former GUNS N’ ROSES axeman is leasing, has five bedrooms, five bathrooms, a pool and a rooftop deck.
Guns N’ Roses-guitaristen mÃ¥ til lommerne, efter han i sidste uge sÃ¸gte om skilsmisse fra sin kone gennem 13 Ã¥r
Slash has filed for divorce from his wife – for the second time in four years.
The 49-year-old rocker submitted court documents seeking to end his 13-year marriage to Perla Hudson in Los Angeles on Tuesday shortly after she issued him with an ultimatum to clean up his act.
The former Guns N’ Roses star – whose real name is Saul Hudson – cited irreconcilable differences and listed their date of separation as June 15th in his legal documents.
Saul was just 14 when he wrote and illustrated the following letter to Michelle Young â€” an ex-girlfriend who had just recently ended their relationship and, in a previous letter, blamed the decision on Saul’s unending talk of his guitar. The guitar obsession never ended and Saul soon became Slash, one of the world’s most admired guitarists and member of Guns N’ Roses, whilst Michelle stayed in the picture and after dating Axl Rose in the mid-80s became the subject of My Michelle, a song that frankly spoke of her drug-fuelled lifestyle, her father’s career in “porno” and her mother’s death.
Incidentally, the Starwood Club closed down two years later. Quiet Riot, however, went on to huge success and released an album in 1983 that topped the U.S. charts; unheard of for a heavy metal band.
(Source: Jeff at Hard Rock Memorabilia; Image of Slash in his youth via.)
Ozzy Osbourne took home the Global Icon Award at this yearâ€™s MTV Europe Music Awards on Nov. 9, and Slash was on hand to pay tribute with a live cover of the classic Ozzy cut â€˜Crazy Train.â€™
You can watch the performance above, which pulls pro-shot footage from the ceremony â€” including a couple of reaction shots from Osbourne, who was sitting in the front row with his wife Sharon.
Watching Slash onstage is nothing new for Ozzy; in fact, earlier this year, the two teamed up for a performance of Black Sabbathâ€˜s â€˜Paranoid,â€™ and Slash was also part of the Ozzy Osbourne & Friends tour in 2012.
Slash paid tribute to Ozzy in advance of the event, telling MTV, â€œAside from being one of the mavericks of heavy metal heâ€™s also one of the greatest entertainers and performers Iâ€™ve ever seen â€¦ He has amazing control over his audience. Itâ€™s actually stunning to be close, at the side of the stage and actually watch the command over his audience so yeah, itâ€™s pretty intense.â€
He’s approaching the tail-end of a rare day off, having spent the past two months pinballing between solo dates with his band the Conspirators featuring vocalist Myles Kennedy, their support slots on Aerosmith’s arena tour, and an endless parade of promotional duties in service of his third solo album, World On Fire. The past few hours have been spent playing guitar and catching up on e-mails, and this evening he will head to the movies to watch French horror film As Above, So Below. Ultimately, though, a day off is a day away from the stage, and it is there that the man absolutely no-one calls Saul â€“ deferring instead to Slash, the nickname given to him as a teen by family friend and film producer Seymour Cassel due to his inability to stand still for more than five minutes â€“ is most at home. “That’s where I feel like I’m expressing myself as honestly as possible,” he reasons. “The rest of the time I’m just treading water, trying to get to the next gig.”
Slash and his cohorts Myles Kennedy and the Conspirators recently rocked large amphitheaters on their summer tour with Aerosmith, but thereâ€™s something about their brand of full throttle rock that just makes any club appearance truly special. On Tuesday night (Sept. 23) in Los Angeles, Slash and company set the tone for what promises to be a memorable three-night run through Los Angelesâ€™ most historic venues as part of Guitar Centerâ€™s 50th Anniversary celebration.
The hometown hero started his journey at the legendary Troubadour for a sweaty, packed, no holds barred performance that left those in the crowd rocked to the core and wanting for more. The night began with a brief, but audience engaging set from Hillbilly Herald before Slash and his band took the stage. The headlining act was welcomed with a carnival-like soundtrack before launching into the show opener â€˜Youâ€™re a Lie.â€™ â€˜Nighttrainâ€™ followed, giving audiences their first of several Guns Nâ€™ Roses classics of the night, while â€˜Haloâ€™ and â€˜Standing in the Sunâ€™ kept the momentum going and the energy high.
It was six songs in before Slash and his band tackled the new material, but â€˜Stone Blindâ€™ was a solid choice to lead off with as the track was met with a rousing reaction and no noticeable drop off from the crowd. After â€˜You Could Be Mine,â€™ Kennedy turned the vocals over to bassist Todd Kerns for a pair of tracks â€” â€˜Doctor Alibiâ€™ and the GNâ€™R classic â€˜Out Ta Get Me.â€™
The band chose this night in West Hollywood to provide the live debut of â€˜Wicked Stoneâ€™ off the â€˜World on Fireâ€™ album and this blistering song turned into an all-out jam with the crowd responding in kind. â€™30 Years to Life,â€™ â€˜Bent to Flyâ€™ and the current single â€˜World on Fireâ€™ also provided a great live representation of the newly released Slash album as well.
As for the remainder of the set, it was populated with GNâ€™R favorites like â€˜Rocket Queen,â€™ which featured an epic Slash guitar solo, â€˜Sweet Child Oâ€™ Mineâ€™ and the encore favorite â€˜Paradise City.â€™ Other standouts included the Velvet Revolver favorite â€˜Slither,â€™ with Kennedy leading the crowd in fist-pumping and singing along, and Slashâ€™s own standouts â€˜Starlight,â€™ â€˜Anastasiaâ€™ and â€˜By the Sword.â€™
The band was greeted with friendly faces throughout the night, as they pointed out some of the key audience and family members. As Kennedy stated toward the end of the set at the response from the electrified crowd, â€œThis is really fantastic for us.â€ And the fun is just starting as Slash will take over The Roxy on the Sunset Strip Thursday night for a show that will be taped for later airing on DIRECTVâ€™s Audience Network on Nov. 9. The Guitar Center 50th Anniversary celebration featuring Slash With Myles Kennedy and the Conspirators concludes Friday night at Los Angelesâ€™ Whisky a Go Go.
Exclusive Photos of Slash With Myles Kennedy and the Conspirators:
For everyone who’s been trying to figure out the meaning behind the Guns N’ Roses video “November Rain” since its release in 1992, you may want to stop trying because lead guitarist Slash doesn’t know either.
In a conversation with HuffPost Live about his new album “World On Fire,” the guitar legend made a shocking confession.
“To tell you the truth, I have no idea [what ‘November Rain’ is about],” Slash told host Marc Lamont Hill. “It was a concept. The song itself is pretty self-explanatory, but the video is so complex.”
The song appears on the band’s “Use Your Illusion I” album. Slash said when vocalist Axl Rose was writing it, “It was so epic, it was like a movie. And I, not being a huge fan of videos and making videos especially, I just showed up for my scenes.”
“I [wrote] my own scene,” he continued “… and I never paid attention to the rest of the whole production. So at the end of the day, I never really knew. I knew there was a wedding in there somewhere and I was not into the concept of the wedding.”
Slash said he even “frowned upon” the wedding idea because “it seemed to me like what I would do.”
Slash says he looks back on Guns Nâ€™ Roses’ debut Appetite For Destruction with pride â€“ but admits he never expected it to become the giant album itâ€™s proved to be.
The album has sold over 30 million copies worldwide, but the guitarist only ever thought it would make them a cult success.
Slash tells Linearock: â€œI’m so proud of the fact I was involved in a record that had that kind of impact. But if you were to tell me back then that’s what it was gonna be, I would never have believed you.
â€œIt was just a record made by these five characters and looking back on it, there was something that spoke to people in a certain way. It was a very streetwise band but with a very naive world view.
“It was a social commentary, but it wasn’t about the world at large â€“ it was internal angst that teenagers really related to. It was delivered with the kind of impact that really had a big effect on people.”
He continues: “It’s the combination of emotions and energy that couldn’t really be replicated â€“ it was just something that happened in the moment. I remember when the record was finished, I thought we’d be a really cool cult band.â€
Slash Featuring Myles Kennedy & The Conspirators released new album World On Fire this week via a Classic Rock fanpack â€“ four weeks ahead of the albumâ€™s regular UK release date date of October 13. Copies can be purchased here or bought with Â£2 off the retail price from participating WH Smiths stores.
Meanwhile, Slash and Myles Kennedy will be Nicky Horneâ€™s guests on the Classic Rock Magazine Show on TeamRock radio on September 22 at 6pm. In an hour-long session, the pair touch on all aspects of the new album and reveal the thrill of playing music together.
Slash has commented on a story in Paul Stanley’s autobiography in which the KISS frontman claimed that he had to teach the former GUNS N’ ROSES guitarist a basic lesson in rock and roll diplomacy more than 25 years ago.
In “Face The Music: A Life Exposed”, Stanley recalled the time he was asked to meet with the members of GUNS N’ ROSES, who were about to start work on their now-classic debut album, “Appetite For Destruction” album. Although Stanley claims he wasn’t all that impressed at first, describing guitarist Izzy Stradlin as “unconscious, with drool coming out of the side of his mouth,” and Slash as “half-comatose,” the KISS guitarist-vocalist was nice enough to show Slash how to tune his guitar in the five-string open-G method preferred by Keith Richards, and offered to put the GN’R axeman in touch with people who could get him free guitars. Paul then went to go see GUNS N’ ROSES play two small Los Angeles-area club shows, which he described as “stupendous.” According to Ultimate Classic Rock, it was an incident at the second of those concerts that created the initial rift between Slash and Stanley. “They weren’t happy with the guy mixing their sound,” Stanley wrote in his book. “And Slash asked me out of the blue to help out. Decades later, Slash’s recollections of the night would be faulty at best. He liked to pretend I had dared to meddle with their sound.”
Stanley continued: “Immediately after my interactions with the band, I started to hear lots of stories Slash was saying behind my back â€” he called me gay, made fun of my clothes, all sorts of things designed to give him some sort of rock credibility at my expense. This was years before his top hat, sunglasses and dangling cigarette became a cartoon costume that he would continue to milk with the best of us for decades.”
According to Stanley, he next spoke to Slash a few months later when the GN’R guitarist called up to see if Stanley could still set him up with those free guitars. “You want me to help you get guitars after you went around saying all that shit about me behind my back?” Stanley said he told Slash. “You know, one thing youâ€™re going to have to learn is not to air your dirty laundry in public. Nice knowing you. Go fuck yourself.”
In a recent interview with Germany’s Rock Hard magazine, Slash revealed that he hadn’t yet read Stanley’s book, but more or less confirmed the KISS frontman’s version of events. He said (see video below): “What happened wasâ€¦ I don’t wanna bring it all up againâ€¦ But he had come around to produce GUNS N’ ROSES way back in the day, before we actually made the first record [1987’s ‘Appetite For Destruction’]. And at some point, we decided we didn’tâ€¦ We never, actually, were interested in working with him. But we sort of had him around because he was Steve Adler’s [original GUNS N’ ROSES drummer] hero. Anyway, and so, at that time, I’d done an interview for the ‘Calendar’ [section] in the [Los Angeles] Times, and I’d said something derogatory about him. And then, months later, [I] realized that he had an arrangement with B.C. Rich, and I was looking to try and get a guitar to record the ‘Appetite’ record, and asked him if he would hook me up with some B.C. Riches. And he said something along the lines of, ‘You shouldn’t air your dirty laundry in public,’ having to do with him. ‘So, no, I won’t help you.’ And I was, like, ‘OK.’ And we didn’t speak for years after that. It was only until roughly 2006 that we got reacquainted when I was doing the KISS ‘Rock Honors’ for VH1 and we sort of let bygones be bygones. And so we’re more or less cool now.”